O ORGANIZAR TEMPORÁRIO DE UM FESTIVAL DE MÚSICA

Autores

  • Allan Daniel Dias Universidade Estadual do Ceará
  • Ana Silvia Rocha Ipiranga Universidade Estadual do Ceará
  • Mariana Maia Bezerra Universidade Estadual do Ceará

DOI:

https://doi.org/10.25113/farol.v8i22.6061

Palavras-chave:

Organizações temporárias, Festival de música, Cidade

Resumo

Este trabalho buscou compreender o organizar temporário de um festival de música e as suas influências na economia criativa de uma cidade.  A metodologia de natureza qualitativa foi baseada em um conjunto de técnicas, entre estas: observação participante, diário de campo, shadowing, entrevistas, compilação de documentos e de imagens fotográficas. Evidenciou-se que o organizar do festival de música sob estudo está envolto em uma rede criativa de práticas espaciais múltiplas, criando uma cronologia espaço-temporal simultânea. Observou-se que esta sincronia ao diluir as fronteiras espaço-temporal, facilita a emergência de uma rede de práticas de negociação e aprendizagem complexas e diferenciadas. Por outro lado, a principal tarefa da organização temporária sob estudo está relacionada com a prática de ocupar criativamente a cidade, enquanto uma das razões do existir do festival de música.

Biografia do Autor

Allan Daniel Dias , Universidade Estadual do Ceará

Mestre em Administração pelo Programa de Pós-Graduação da Universidade Estadual do Ceará

Ana Silvia Rocha Ipiranga, Universidade Estadual do Ceará

Pós-Doutorado em Administração pela Escola Brasileira de Administração Pública e de Empresas da Fundação Getulio Vargas (2010). Doutorado em Psicologia del Lavoro e dell Organizzazioni pela Universitá di Bologna (1997). Professora Adjunta da Universidade Estadual do Ceará.

Mariana Maia Bezerra, Universidade Estadual do Ceará

Mestre em Administração pelo Programa de Pós-Graduação em Administração da Universidade Estadual do Ceará. Professora das Faculdades de Ciência e Tecnologia do Nordeste, Fortaleza-CE.

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Publicado

2021-08-27

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